9/25/2003 PARISH MATTERS: FEELING GOOD WITH JESUS . . .

Father X discussed “what Mass is all about” in the parish bulletin, namely our coming “with full hearts to thank God.”

Moreover, it is “truly alive . . . when we bring to Mass the everyday things of our lives.” Some of his best mass-time experience, he confessed, has been when he is “truly bringing what was in [his] heart to God.”

The time-honored but now little-used phrase “sacrifice of the mass,” he said “refers to our self-offering to God”! [It does?] This self-offering “feels good” to him because it reminds him that “God is taking care of” his various problems. That’s it?

Nothing in what he said is about Jesus’ sacrifice on the cross and its redeeming value or its being re-enacted in the mass, whatever we bring. He speaks only about what we bring. Apart from his belief in God as protector, it’s as if there were no Christian tradition. Pagans did this much, and probably still do.

 If you are wondering what there is about liturgy that reminds you of Rotary Club meetings, picnics, and other gatherings that make you feel good, consider this foray into theology by one of our coming pastors, who does a good job and is probably as theologically literate as most.

Minister Friendly . . .

We are almost done with the penitential season, but it’s not too late to take note of what happened to the ages-old message that came with the ashes . . .

In the spring of ’02, I dropped in at Old St. Pat’s on Ash Wednesday for my annual reminder that I am dust and unto dust will return — good to keep in mind when I am tempted to take pride in my considerable accomplishments — only to be told by a feverishly smiling 35-ish woman-with-ashes that God loves me, or something like it. She did not tell me to have a nice day, I’ll give her that.

I believe God loves me and can hardly object to being reminded of it. But what about paths of glory leading to the grave and all that, in this case the time-honored “Dust thou art, and unto dust thou shalt return”? I believe also in resurrection, but what about death and its brand of finality? You can overdo reminding people about it, but you can underdo it too. Not good to skip it.

This was hardly my first happy-face reminder of a shift from death as helpful meditation material. Funeral masses have not involved black vestments for ages, having given way to white ones, which emphasize resurrection. Catholic funerals emphasize life after death. It’s the ultimate selling point. But you would think this cherished belief means we can stand being reminded of death and putrefaction in at least one small ritual, wouldn’t you?

Cardinal Sarah’s fearless cri de coeur | Catholic Herald

The man who can’t make it with il papa;

Cardinal Robert Sarah is not the most influential figure within the Roman Curia. Although he is prefect of the Congregation for Divine Worship, one of the most important Vatican departments, his power is tightly circumscribed.

After he gave a speech in 2016 urging priests worldwide to celebrate Mass facing east, he received a rare public rebuke.

Later the Pope made sweeping changes to the membership of his Congregation – a move that was perceived as removing his supporters and replacing them with those who do not share his liturgical vision.

Il papa, probably for political reasons — he’s African, isn’t he? — has apparently decided he can’t fire him, or doesn’t have to. But the old bar bouncer can still poke fingers in his eye.

The bothersome cardinal in turn may be neutralized in his lofty position, but he can write books, can’t he? And “despite his relative lack of sway at the Vatican, when [he] speaks, the world listens,” says The Catholic Herald.

Which surely irritates papa. In the latest of the cardinal’s books, Le soir approche et déjà le jour baisse, to be unleashed on the English-speaking world in September as The Day is Now Far Spent from Ignatius Press, he “argues that darkness is falling over our civilisation” and “the West is in an advanced state of spiritual collapse and can only be saved by rediscovering Christ.”

He’s a prophet, for all that, apparently crying in the wilderness as far as il papa and his minions are concerned.

Idea for introducing yourself to one sitting next you at church before Sunday mass . . .

. . . when the presiding priest or singing director urges you to do so.

Do not just say hi but hand out your card. Something they can take with themselves and maybe later call you and presto, some new business.

Or, and this is a big or, a number or address a person can call or write to later, trying to sell you something.

So forget it, not that it’s ever been tried.

Look. Just say hi and let go at that. With a smile, of course.

It’s what I do at the other greeting time, the handclasp of peace later in the mass, when I sometimes do not clasp a hand but wave, and then not to whole rest of church, of course . . . .

Traditional Latin Mass: A Review of Peter Kwasniewski’s Book ‘Noble Beauty’ | National Review

Too much too soon, contra-Vatican 2, “malleable”:

Disagreement over how the faithful should conduct their liturgy, or public worship, has dogged the Catholic Church for the past 50 years. The reasons are many, but three are especially salient:

-The liturgical changes that were introduced after the Second Vatican Council (1962–65) were sweeping — especially the new Mass, which replaced the centuries-old Latin Mass in 1969. Taken together, the changes to the Mass, the Church calendar, and other features of Catholic liturgy constitute the most extensive alteration that it has ever undergone.

-The liturgical changes of the 1960s were in defiance of both the letter and the spirit of what the bishops had called for at Vatican II: adjustment and reform. What they got instead was a complete revolution, delivered as a fait accompli less than five years after the Council ended.

-Where the traditional liturgy was fixed and regulated, the reformed version — again, the new Mass in particular — is highly malleable. It gives the clergy and their collaborators much greater license to be “creative” and to refashion the Mass (and other rites) for any given occasion, according to their varying tastes.

Other than that, a great idea.

THE MASS OF THE ’40S VS. OF TODAY

A CATHOLIC LAMENT, broadly stated:

1. The Latin was mysterious, signalling the (bona fide) mysteries of the Eucharist, vs. today’s liturgical populism, downgrading the mystical and downplaying the sacral.

2. The priest saying Mass was a functionary, reflecting the ex opere operato aspect of what he did.

3. The priest at mass was (presumably) a priest at prayer, absorbed in that aspect, which meant he did not look at or survey people, even when turning to them to pronounce a blessing or solicit response.

4. As functionary or performer of the sacred ritual, he was severely limited. Ritual reigned, ad libbing unheard of.

5. People looked forward and saw the priest facing in the same direction, a crucial element in the transaction but not its focus. (Important point here and now, when the priest has become the focus, people look at him, there being nothing else, presuming they pay attention to what’s going on.)

6. The priest never looked at the people, as noted. It was prayer time, for him and the rest of us, moments of silence and attempted communing with the supernatural.

7. Mass over, church remained a place of prayer, not reverting to a social hall, as if the Sacrament did not remain, ensconced in tabernacle.

8. All in all, there was less or no socializing in church, more or only reverence or at least silence.

It’s different now.

Father Freelance, continued . . .

We left only part way through this inspired rant by a distinguished scholar and analyst of all things Catholic, George Weigel, with this about how Father Freelance makes it up and he goes along while saying mass, “. . .  whether indulged by old, middle-aged, or young, it’s obnoxious and it’s an obstacle to prayer.”

George W. continued in that vein:

Especially now, I might note, given the restoration of the more formal rhythms of liturgical language in the English translations we’ve used since Advent 2011. Those translations are not faultless. But they’re a massive improvement on what we used to have . . .

How so?

. . .  by restoring sacral language that was peremptorily discarded in the previous translation, the current translation reminds us that Mass is far more than a social gathering; it’s an act of worship, the majesty of which should be reflected in the language of the liturgy-which is not the language of the shopping mall or the Super Bowl party.

True, omitting for the moment, the yet more solemn, special, uncommon language replaced by hook and by crook by the post-Vatican  2 fixers — you guessed it, the mother tongue of the West, Latin.

In one sense, though, the new translation has made things worse. For when Father Freelance scratches his itch to show just how congregation-friendly he is by making what he imagines are nifty changes to the Mass text, he instantly sets up sonic dissonance for anyone with a reasonably well-tuned ear. And sonic dissonance makes it hard to pray.

Perfect description of the problem — worst kind of distraction, like a radio jingle. Think the diabolical “kars for kids” or the number to call, repeated thrice, when you have to counter it with your own number, 1-2–3-4 will do, so you don’t remember it.

So with a civil new year upon us, [it was that time of year] may I suggest to our fathers in Christ that they cease and desist from making it up, juicing it up, or otherwise tinkering with the Missal? As an old liturgical saw has it, referring to the difference in color that distinguishes prayers from instructions in the Missal, “Read the black and do the red.” Just that, Father. Read the black and do the red. Or, better, pray the black and do the red.

A golden rule of thumb.

Such self-discipline on the part of celebrants would also help eliminate the clericalism (and worse) involved when Father Freelance, well, free-lances. For in metaphorically thumbing his nose at the Council’s clear injunction (not to mention the rubrics in the Missal), Father Freelance is de facto asserting his own superiority over the liturgy. And in doing so, he is, whether he intends it or not, downgrading the congregation’s role in offering right worship to the Thrice-Holy God.

A Daniel come to judgment!

In a properly celebrated Mass, the vocalized dialogue of prayer between celebrant and congregation takes place in a linguistic rhythm established by the shared text of the Mass. And that rhythm is broken when, to take one example that’s grated on me recently, the celebrant announces the Gospel reading by saying, “The Good News of the Lord as proclaimed by Luke.” To which the expected response, “Glory to you, O Lord,” sounds clunky, whereas it neatly answers the prescribed announcement, “A reading from the holy Gospel according to –.”

Getting into the slightly high weeds here, but what he flags would be jarring indeed.

It may come as a surprise to Father Freelance, but after more than four decades of priest-celebrants trying to be Johnny Carson, Bob Barker, Alex Trebek, or whomever, this act is getting very old. Father, you’re just not very good at it. Your freelancing is often banal, even silly. Moreover, you demean us by suggesting that we, the congregation, can’t handle the sacral language of the liturgy, and that we have to be jollied into participation. In fact, if you listen carefully, you’ll discover that congregational responses drop off when you invite a response in your terms, not the liturgy’s.

Ouch, ouch, double ouch. Let us not read Father out of the human race, but having said that though not so — ah — eloquently, I must agree.

So please, fathers in Christ, spare us these attempts at creativity, or user-friendliness, or whatever it is you think you’re doing. They just don’t work. Please just pray the black and do the red. And the worship Vatican II intended will be much enhanced thereby.

Amen, and I shrink from saying that word, having heard a parish priest in the ’70s use it for a brutally supposed common-man opener to the canon, singing, Sidney Poitier’s song in “Lilies of the Field,” —

Amen. Amen. Amen, amen, amen.
Sing it over!
Amen. Amen. Amen, amen, amen

Woe!

And last but least . . .

George Weigel is Distinguished Senior Fellow of Washington, D.C.’s Ethics and Public Policy Center, where he holds the William E. Simon Chair in Catholic Studies.

And much, much more . . .

Musing: How to fix the mass 2016

A fellow does some noodling. What to do?

1. Overhaul sermon training. Make preaching an overriding emphasis. It’s a matter of getting people to know Jesus. If they do not get the preaching, how will they know Jesus?

2. Turn the altar around so the mass is no longer an extended sermon but a prayer in which priest and people are truly in it together, facing together toward God.

3. Restore Latin — for its own sake, a few of us feel, but as a special, ministerial language to be associated with the mass as unique in worshipers’ experience, unlikely to be compared to a family dinner, for instance.

4. Eliminate the handshake of peace as disruptive of this like-no-other experience.

5. Eliminate communion in the hand standing as distracting from and even disparaging the like-no-otherness of the ceremony, specifically the reality of transubstantiation. Eliminate wine communion.

6. Restore altar rails.

Dear Father: Please stop the liturgical freelancing (2016)

Priests who make it up as they go along.

If you’re a daily Mass attendant, the odds are that you’ve heard General Norm 22.3 of “Sacrosanctum concilium” violated on a weekly basis.

In all the sixteen documents of the Second Vatican Council, is there any prescription more regularly violated than General Norm 22.3 of the Constitution on the Sacred Liturgy? Which, in case you’ve forgotten, teaches that “no . . . person, not even a priest, may add, remove, or change anything in the liturgy on his own authority”?

The Spirit works in mysterious ways. This isn’t one of them.

If you’re a daily Mass attendant, the odds are that you hear that norm violated a dozen times a week. Sunday Mass people typically hear it violated two or three times a week, at least.

Auto-editing or flat-out rewriting the prescribed text of the Mass is virtually epidemic among priests who attended seminary in the late Sixties, Seventies, or early Eighties; it’s less obvious among the younger clergy.

But whether indulged by old, middle-aged, or young, it’s obnoxious and it’s an obstacle to prayer.

I’m with this writer, though less so since like Dr. Strangelove and the bomb, I have learned to stop worrying and love — the free-lancer.

Thing is, I can’t afford to be censorious in the matter. Talk about your obstacles to prayer. Been there, done that. No thanks.

Better to take it as part of the human comedy. Besides, currently I encounter far less of that lately: change of venue and all that, you know.

But I still encourage the writer, the eminent George Weigel, and applaud him for this.

===========================

Just in from loyal reader:

This morning during the live-streaming Mass from Green Bay’s cathedral, a retired priest filled in for the rector.

In a number of places he put in his pronoun of choice. Why would he change “he” to “Jesus” for instance?

It must gall him to say “Our Father.” This kind of stuff doesn’t usually happen at this mass.

It bugs me when a priest imposes his political/social views on me with no authority.

Or no more qualification than the guy on the next bar stool.

I feel this reader’s pain.

YOUNG CATHOLICS SOUND OFF ABOUT TODAY’S MASS (2015)

Some find themselves offered not bread but a stone:

One Catholic, who did not want to trash his parish, says he finds more sustenance these days sneaking off to the old Latin Mass. This isn’t because he’s a traditionalist, but because of its quiet and almost mystical aesthetic: lots of bells, lots of incense, no “awful” hymns badly sung but gorgeous Latin chants instead.

Something not of the everyday variety. Exactly the opposite. It’s a pastoral consideration that escaped post-Vatican 2 liturgy change agents.

Bad music – and bad singers leading the singing – was a frequent young Catholic complaint. One complainer, understanding how superficial that sounds, told me that bad music for him turns what’s supposed to be a sacred time into a [cringe-producing] endurance test.

It’s downright embarrassing [for him] when the cringeworthiness takes place at a Catholic funeral and he’s surrounded by non-Catholic friends.

My position is, in addition to the almost guaranteed mediocrity as above — substituting such marvels as “Amazing Grace” and “An Irish Lullaby” (what Barry Fitzgerald sang to his mother in “Going My Way”) for church music that survived the ages — you have performers, clerical and otherwise, who are too often not up to the challenge.

Big problem here. The stone-for-bread business is Scriptural, I must add: “Which of you, if your son asks for bread, will give him a stone?” from Matthew 7.9.