having fun with the new-mass disasters — :
Among my many flaws is a deep appreciation for biting sarcasm. A recent post by Damian Thompson at his blog at the Telegraph is a masterpiece of this form of verbal combat:
“It is 40 years ago today since the New Mass of Paul VI was introduced into our parishes, writes Margery Popinstar, editor of The Capsule. We knew at the time that this liturgy was as close to perfection as humanly possible, but little did we guess what an efflorescence of art, architecture, music and worship lay ahead!
There were fears at first that the vernacular service would damage the solemnity of the Mass. How silly! Far from leading to liturgical abuses, the New Mass nurtured a koinonia that revived Catholic culture and packed our reordered churches to the rafters.
So dramatic was the growth in family Mass observance, indeed, that a new school of Catholic architecture arose to provide places of worship for these new congregations. Throughout the Western world, churches sprang up that combined Christian heritage with the thrilling simplicity of the modern school, creating a sense of the numinous that has proved as irresistible to secular visitors as to the faithful.
For some worshippers, it is the sheer visual beauty of the New Mass that captures the heart, with its simple yet scrupulously observed rubrics – to say nothing of the elegance of the priest’s vestments, which (though commendably less fussy than pre-conciliar outfits) exhibit a standard of meticulous craftsmanship which truly gives glory to God!
The same refreshing of tradition infuses the wonderful – and toe-tapping! – modern Mass settings and hymns produced for the revised liturgy. This music, written by the most gifted composers of our era, has won over congregations so totally that it is now rare to encounter a parish where everyone is not singing their heads off! Even the secular “hit parade” has borrowed from Catholic worship songs, so deliciously memorable – yet reverent! – is the effect they create. No wonder it is standing room only at most Masses!”
Did Archbishop Annibale Bugnini, who birthed this kairos, have any idea just how radically his innovations would transform the Church? We must, of course, all rejoice in his imminent beatification – but, in the meantime, I am tempted to borrow a phrase from a forgotten language that – can you believe it? – was used by the Church for services before 1969: Si monumentum requiris, circumspice.”
I attend Novus Ordo masses, but I do think a fair argument can be made that there seems to be almost a deliberate effort over the past 45 years to strip from the Church the beautiful, the traditional, the mysterious and the moving for the ugly, the novel, the trite and the banal. I dimly recall the Latin Mass as I was born in 1957, but I do remember often being overwhelmed with awe. The Novus Ordo is many things, but awe-inspiring is rarely one of them, at least for me, except of course for the Eucharist. It is a legitimate Mass, and I have no time for those who would argue otherwise. However, I think the Church can do better, and has done much better, than what has often been inflicted on the people in the pews since the Sixties.
People for whom the whole business was to get them to PARTICIPATE and love it.